If “NativeAccess.xml” is not there, copy the included “NativeAccess.xml” there. Shape your sound and make TRANSIENT MASTER your secret spice to your mix.Ģ.Go to “%COMMONPROGRAMFILES%\Native Instruments\Service Center\”. The TRANSIENT MASTER is also a mix fix for troublesome recordings and with just three controls – Attack, Sustain and Gain – it’s fast and easy to use. This is a handy drum and percussion positioning tool, allowing you to mix from front to back and dial in just the right amount of space. In addition to panning left and right, you can precisely position elements at the start or end of a mix without manipulating volume levels.īring sounds from the back of the mix to the frontĮnhance the attack of drums and percussionīased on a beloved studio instrument, the TRANSIENT MASTER is a must-have dynamic effect – uniquely powerful, deceptively simple and extremely useful.
This gives you another axis to work with. The multi-channel processor is switchable between one, two or three bands of transient modification - this means that different frequency bands can be adjusted independently, so that if you wanted to emphasize the attack of some airy hi-hats while, in the same sample, dulling the attack of a low-rumbling kick drum, you could do simply by adjusting the Attack and Sustain controls for each frequency band.TRANSIENT MASTER is indispensable for mixing drums, guitars, pianos, plucked instruments – everything that has an internal attack. Impact is designed to help with the more nitty-gritty, detail-oriented aims of transient shaping. Primarily intended for use with drums and percussive loops, Transient Machines can also lead to interesting results when applied to synth lines, vocals, grouped channels or even entire mixes.Ĭompatible with Push right out of the box, the Transient Machines Pack is split up into two separate tools: Impact, a multi-band drum processing channel strip, and Crack, a more compact transient shaper. Think of Transient Machines as a type of contrast dial for your sounds - you can quickly add more punch, make a sound more distant, take away reverb or rattle, or use the device to achieve a more natural gating effect.
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